Archive for the ‘Dissident Voice’ Category

Gilad Atzmon and Veterans Today Declare War on the Weimar Republic

April 5, 2014

gilad-atzmon

I was looking at CounterPunch the other day, and I noticed an article by Eugene Schulman entitled “What Heidegger Hysteria Tells Us About the Press”. This piqued my curiosity, so I read it. The article turned out to be only tangentially about Heidegger. It’s main argument is that the New York Times is pro-Israel. (The late Alexander Cockburn made this point about ten million times. I guess Schulman must be new to CounterPunch.) I did find one passage interesting:

    In a recent article published at the Veterans Today website controversial author of “The Wandering Who?”, Gilad Atzmon, takes to task The Guardian newspaper for an article criticizing the publication of Martin Heidegger’s ‘black notebooks’. Heidegger was one of the 20th Century’s most famous philosophers, almost best known for having joined the Nazi party during the war years [Heidegger joined the Nazi Party in 1933] and, thus, gaining the reputation for being anti-Semitic.

I guess that’s what happens when you join the Nazi Party. Anyway, the article provides a link to Veterans Today (which I had never heard of before). I must guiltily confess that I gave in to my morbid sense of curiosity and clicked on it. VT calls itself a “Military & Foreign Affairs Journal”, and it tells us that it has been serving “Military & Veterans for 40+ Years”. Among other things, it provides job listings for veterans and information for how veterans can get loans. Atzmon’s article is titled “The Banality Of The Guardian Of Judea”. In it, he defends Heidegger from the accusation of anti-Semitism. I found this passage particularly interesting:

    Heidegger was a German patriot. As such he knew very well that it was Zionist leadership and German Jewish bankers in America that facilitated the entry of the USA into the first world war (in return in part for the 1917’s Belfour Declaration that promised a national home for Jews in Palestine). In that regard, Heidegger, like his contemporaries, had good reason to believe that Germany was betrayed by its Jewish elite.

There you have it: the “stabbed in the back” lie, dusted off and presented to American military veterans.

My morbid sense of curiosity was now in overdrive. I searched around the VT website. I found out that VT is big on 9/11 conspiracy theories. (One recent article is titled “Malaysian plane disappearance linked to 9/11”). They like Vladimir Putin a lot. I also found an article by someone named Jonas E. Alexis titled “Hitler and Germany’s Sexual Question (Part II)”. It’s a rambling, somewhat confusing article, but it makes clear that Alexis doesn’t care much for Weimar Germany:

    Theater in Germany began to produce films such as The Cabinet of Dr. Caligari (1920), directed and written by Jewish producers Robert Wiene and Hans Janowitz. This particular film was teleological in nature: it was supposed to hypnotize audiences in an expressionist and psychoanalytic form.

    Other films of the same genre included Carl Mayer’s The Last Laugh (1924), Fritz Lang’s Metropolis (1927), Madchen in Uniform (1931), and Kuhle Wampe (1932).[14] Madchen in Uniform was an explicitly pro-lesbian film, something that was completely contrary to the Prussian education system at the time, and many of the cast in the movie were Jewish.

Yes, we’ve got to point out those Jews, don’t we? Alexis adds:

    Madchen in Uniform became a symbol for feminist movements in the 1970s, one of the weapons used against the existing culture. Moreover, Jewish film directors and producers, like many current Jewish directors in Hollywood (Eli Roth and David Cronenberg come to mind), knew that they were indirectly changing the social and cultural mode of Germany.

Huh? Do Roth and Cronenberg have a time machine? Later on, Alexis writes:

    This anger [Hitler’s] began to escalate after World War I when he [Hitler] saw what was happening in the press and theatre in Germany, when art in general was being used to denigrate the German culture.

    What perhaps moved Hitler’s anger to a new height was that the Jews were less than three percent of the population, yet they largely controlled the theatre and were promoting what he would call “filth” and “pornography.”

    For Hitler, these acts “must have been definitely intentional.” Moreover, he got first-hand knowledge after World War I that pornography was almost exclusively a Jewish phenomenon.

It’s interesting to note that Alexis is black. I wonder if Alexis has ever done any research on Hitler’s views on blacks. (Another black contributor to VT is H. K. Edgerton. VT tells us that he does “Confederate street preaching for the South”.)

I looked at the page listing the editorial board for VT. They list as a board member, Lt. General Hamid Gul, who, they claim, is “Director General ISI (Former Chief of Intelligence Services, Pakistan)”. About another board member, we are told:

    Gordon Duff is an accredited diplomat and is generally accepted as one of the top global intelligence specialists. He manages the world’s largest private intelligence organization and regularly consults with governments challenged by security issues.

I bet. I noticed that one of VT’s Iran bureau chiefs just happens to be none other than our old friend, Ismail Salami. (Small world, isn’t it?) One frequent contributor to VT is Franklin Lamb, who is also a frequent contributor to CounterPunch.

According to Quantcast.com, Veterans Today receives a little more than 377,000 views a month in the U.S. That is close to the number of views that CounterPunch receives each month (386,400). It is substantially more than the number of views that Dissident Voice, which also posts articles by Atzmon and Salami, receives (35,600).

I’m not sure what exactly to make of these numbers, but one thing clear to me is that Gilad Atzmon has found a warm, welcoming, safe space.

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Gilad Atzmon, Peter Jenkins, and the “Just War”

November 3, 2012


Gilad Atzmon

Dissident Voice, which posts articles by Israel Shamir and Andre Fomine, continues to lower its bar by posting an article by Gilad Atzmon. Entitled Ex-British Envoy Told the Truth (for a change), the article begins:

    Peter Jenkins, Britain’s former representative on the International Atomic Energy Agency, has told the debating union at Warwick University that a “just war” is not a Jewish notion. Jenkins was obviously telling the truth but the Zionist Jewish Chronicle is not happy.

    The retired Foreign Office diplomat, speaking in a debate on nuclear proliferation in Iran, said: “Israelis don’t practise an eye for an eye and a tooth for a tooth, they practise ten eyes for an eye and ten teeth for a tooth.” He also added that “the idea that a just war requires the use of force to be proportionate seems to be a Christian notion and not a Jewish notion.”

So, does Jenkins believe that the Crusades, in which many Jews and Muslims were killed, were a “proportionate use of force” in response to the peaceful Muslim occupation of the Holy Land? Or how about the invasion and conquest of Mexico, done in the name of spreading Christianity? Was it a “proportionate use of force” in response to the mere existence of the Mexican people?

Jenkins’s argument is obviously nonsense – so, of course, Atzmon fully approves of it. Responding to criticism of Jenkins, he writes:

    Yet, I am slightly perplexed, why is telling the truth about Jewish culture anti-Semitic? Is not the Old Testament far more violent than any Quentin Tarantino film?

I can think of many things that are far more violent than a Quentin Tarantino film. Here are just a few: the Mahabharata, the Iliad, the Odyssey, the Mabinogion, and Grimm’s Fairy Tales. (I’m not kidding about the last. You should read them in the original German, or in a faithful translation.) The authors of the Old Testament certainly weren’t the only people who like to write about violence.

A little later, Atzmon comments:

    I would obviously argue that it is our intellectual duty to call a spade a spade and to criticise Jewish politics and Jewish culture for what they are.

What exactly does Atzmon mean by “Jewish politics”? Noam Chomsky? Norman Finkelstein? Alan Dershowitz? Joseph Lieberman? Binyamin Netanyahu? Amy Goodman? Your guess is as good as mine. Atzmon doesn’t seem aware that the term “Jewish politics” embraces quite a large spectrum of personalities, ranging from Karl Marx to Ayn Rand.

In response to one critic of Jenkins, Atzmon writes:

    Mr Sacerdoti is obviously a Hasbara spin master. He mentions that “this particular view, that Jews do not adhere to the concept of ‘just war’ implies that Jews are by nature bloodthirsty and unjust. I believe any such generalisation about the nature of Jews is racist.” But here is a slight problem, Mr Jenkins didn’t speak about Jews, the people, the ethnicity or the race, he was clearly referring to “Israel”, i.e., The Jewish State and to Jewish culture.

You see, Jenkins wasn’t referring to the Jews; he was actually referring to Jews. (“The Jewish State and Jewish culture” pretty much includes all Jews, does it not?)

Atzmon ends:

    The truth better be said. Mr Jenkins told the truth and actually used a moderate and careful language. I wish the BBC and The Guardian were as courageous as Mr Jenkins. I also do not think Zionist organisations should be the ones who moderate the critical discourse of the Jewish State and Jewish culture.

And, clearly, Atzmon shouldn’t be moderating that discourse either.

Dr. Ismail Salami and the “Clash of Cultures”

September 26, 2012


Ismail Salami, Shakespearean scholar, author of children’s books, spouter of gibberish.

Dissident Voice has recently posted this cracking good article by Ismail Salami, entitled West Braces for Clash of Cultures. (No one I know is bracing for a clash of cultures, but then maybe I just don’t move through the right social circles.) The article begins:

    With the publication of the profane pictures of the holy Prophet of Islam in Charlie Hebdo magazine, the West seems to be consciously moving in a direction where chaos will dominate the international arena and a clash of cultures will inevitably run deeper for an indefinite period of time.

A literary agent once said to me, “You’ve got to grab the reader by the throat and lift him out of his chair.” Dr. Salami (I’m trying hard not to go for the obvious joke here) has clearly accomplished this with this extraordinary paragraph/run-on sentence. But what exactly does it mean? In the first half, he seems to suggest that Charlie Hebdo is published by somebody named “the West”. In the second half, he seems to be saying that a “clash of cultures” will “run deeper” (like a submarine?).

Clearly, Salami is a master of the Nietzschean aphoristic syle. However, he can be shockingly blunt when he puts his mind to it:

    There are abortive attempts by western analysts to interpret the two baneful incidents in the light of freedom of expression and thereby explain away the emotional hurt of the Muslim world.

That’s right, 1.6 billion Muslims will not be able to sleep tonight because of some cartoons in an obscure left-wing newspaper in France. If you believe that, I’ve got some property in Florida I’d like to sell you.

    However, to an intellectually trained mind, this seems more than just an insult to Islam and the Muslims.

Of course, those of us without intellectually trained minds just have no idea what the fuck is going on, do we? (By the way, someone needs to explain to Dr. Salami that “intellectually trained mind” is redundant.)

    The calculated move of the French magazine [sic] in publishing the insulting cartoons immediately after the blasphemous film indicates a united front forming against Islam in the West.

Damn right. As soon as the right-wing Christian producers of Innocence of Muslims had finished filming, they immediately called up their left-wing atheist comrades in France and said, “It’s your turn, bros!” Tag team style.

    On the one hand, the move can be seen as an attempt to help escalate the crisis in the Middle East region and on the other hand to plunge the world into a vortex where a clash of civilizations is imminent.

“… plunge the world into a vortex where a clash of civilizations is imminent.” This may not be worthy of Shakespeare, but it’s almost worthy of H.P. Lovecraft.

    Should we naively believe that the anti-Islam film which has caused much uproar and intellectual chagrin in the Muslim world is the work of a Coptic Christian Egyptian fraudster, a small-time porn director and a bunch of extremists who harbor deep hatred against Islam?

Uh… yes? Is this some sort of trick question?

    This is a good question and it deserves an answer.

As my Aunt Bea used to say, “Every good question deserves an answer.”

    Still, the answer seems to be found in the incident which followed the film i.e. the publication of the blasphemous cartoons.

Uh… what?

    Seen from an analytical point of view, the entire scenario apparently tilts the scale in favor of the Zionists who capitalize on a large-scale fracas between the Muslim countries and the rest of the world. In fact, they are the ones who will catch the bigger fish in these trouble waters.

Bigger than whose fish?

    Amidst this craftily authored plan [yeah it’s fucking brilliant, isn’t it?], Israel has commenced a series of war games in Golan Heights, the biggest the Israeli Defense Force (IDF) has conducted in the six years since the second Lebanon war on Hezbollah in 2006. Military sources say the war game looks like a real war with tens of thousands of soldiers and senior officers, including the artillery and the air force taking part. Israeli officials have announced that the situation in Syria is precariously volatile and that the country is in possession of a huge arsenal of chemical weapons which they fear might fall into the hands of wrong people stockpile if President Bashar Assad is ousted. This is the excuse which they use to justify their military show-off. In point of fact, Israel is readying itself to wage a military encounter in the region by using the anti-Islam scenario.

Perhaps I’m nitpicking, but the last two sentences seem to contradict each other. If Israel can use an alleged chemical weapons stockpile as an excuse to intervene in Syria, why would they need to use “the anti-Islam scenario” (whatever that is)? (By the way, the Israelis have never needed an excuse to do anything.)

One can clearly see why the editors of Dissident Voice thought this article was worth posting. What better way to understand what is currently happening in the Muslim world than by reading gibberish?

I feel inspired to write my own article for Dissident Voice. It will be a learned dissertation on why the sea is boiling hot and why pigs have wings.

Watch for it.

Mad Russians and the American Left

August 31, 2012


Soon to be a contributor to CounterPunch and Dissident Voice.

Back in the 1930’s, there was a radio comedian named Bert Gordon, who was billed as the Mad Russian. His tagline was “How do you dooo!”, which you can hear in some Warner Brothers cartoons from that period. Gordon was enormously popular in his time, but, alas, he is largely forgotten today. Yet, the spirit of the Mad Russian lives on at some left-wing websites. At CounterPunch, Israel Shamir has become their resident authority on Russia, the Dreyfus Affair, and conspiracy theories.

Not to be outdone, CP’s rival, Dissident Voice, have their own mad Russian, Andre Fomine. His latest article is entitled Pussy Riot, the CIA, and Cultural Terrorism. In this article, we learn the shocking truth about Pussy Riot:

    No doubt it was not a single spontaneous act by a group of dissolute individuals but an episode of a much wider global campaign to shake and eventually ruin traditional societies and institutions. It is being carried out by the same powerful circles which inspired — e.g. offensive caricatures of Prophet Muhammad in a Danish newspaper in 2005.

Oh, my. From Pussy Riot to Danish cartoons. Who could possibly be behind this fiendish global conspiracy? Need you ask?

    It is an open secret that avant-gardism became popular in the West in 1950-1960s thanks to unprecedented support from the CIA and was used by the United States as a powerful ideological weapon.

The CIA. Why, of course! Aren’t they behind everything?

Fomine ends his article with a dire warning: “The puppeteers of Modern Art and Cultural Terrorism keep carrying out their mission.” [Emphasis in the original.]

Modern Art! Run! Flee! Hide!

In another article, entitled The Last Victory of Muammar Gaddafi, Fomine exposes the sordid truth behind the “Arab Spring”:

    First, there was nothing spontaneous in the wave of 2011 North Africa and Middle East revolutions. The popular unrests in Tunisia, Egypt, Libya, Bahrain, etc were carefully prepared, organized, financed and supported through international media. Quite surprisingly, Al-Jazeera played a critically important role in fueling the conflicts within Arabic societies spreading disinformation and blocking truthful and sober voices.

The media did it! And, as we all know, media = CIA. Fomine, however, ends his article on a cheerful note:

    Thus we are entering very interesting, perhaps decisive times. Muammar Gaddafi has won his last battle despite eluding vigor and insolent pressure from everywhere. Will there be any new Gaddafis born by Muslim mothers to resist the new world order? We hope and pray for that.

More Gaddafis! That’s exactly what we need! The comments on the thread for this article were adulatory. (“Excellent article. I am glad that the author had the courage to write it.” I’m not sure that “courage” is the right word.) When one commenter was churlish enough to point out that Fomine offers no evidence to support his claim about the Arab revolutions, he was promptly smacked down by another commenter who wrote:

    How do you expect the writer can supply you with what you call proof?!
    Do you expect him to hack computers or bulglarise certain offices and displays the documents here for you to see??!! Is that make sense?!
    There is something called commonsense combined with knowledge of history, precedents and good analytical ability!

Yeah, who needs evidence?

As you can imagine, I wanted to learn more about this truly original thinker, Andre Fomine. I found out that he edits a web journal called Oriental Review. There, you can find excerpts from a book by Nikolay Starikov entitled Who Made Hitler Attack Stalin. The latest installment is titled Leon Trotsky, Father of German Nazism. Lest you think that this title is meant as a joke, here is how the article begins:

    Who organized the February and October revolutions in Russia and the November revolution in Germany? The Russian and German revolutions were organized by British intelligence, with the possible support of the United States and France.

That’s right, British intelligence must have engineered the Russian Revolution, since it was a strategic defeat for the British empire. This is common sense. Displaying his extraordinary narrative skill, Starikov tells us:

    Dropped into Russia by British intelligence, thanks to a secret agreement with German secret services aboard the “closed wagon,” the Bolsheviks refused to leave the political scene.

That’s right, the Bolsheviks (all of them) were parachuted into Russia inside a sealed train car. (It must have been awfully uncomfortable, but they were willing to endure anything for the revolution.) Later, we learn:

    The main funding supplied to the Russian Revolution from American bankers was transferred through accounts in neutral Sweden and briefcases of inconspicuous figures stealthily entering the country.

Because there’s nothing bankers love more than a government that’s dedicated to abolishing capitalism.

Just by clinking on certain links on the Dissident Voice website, you can find this treasure trove of occult knowledge.

How do you dooo!