Archive for the ‘Freud’ Category

Time to Leave Eugene?

January 30, 2012

Ever since I saw A Dangerous Method, I have been interested in the interpretation of dreams. Last night I had an extremely vivid dream that has haunted me.

I am walking through downtown Eugene. (My dreams rarely ever take place in Eugene.) I suddenly see an army advancing towards me, with demonstrators retreating in front of them. The soldiers are shooting. Some of the demonstrators turn and throw rocks, but this doesn’t slow the soldiers. A bullet goes whizzing past my head. I turn and head back the way I came, but I see soldiers coming from that direction, also with demonstrators retreating in front of them. I turn towards the Willamette river, the only way I can go. I see some old friends of mine – people I knew before I moved to Eugene – crouching on a steep river bank, so I join them. We discuss what we should do. I suggest wading across the river to the other side, but they don’t seem to like that idea. Suddenly we are all on a freight train heading out of Eugene.

So, is my dream telling me I should leave Eugene? That’s what it seems to be saying to me. (Yeah, I know, Freud would have said that the train is phallic and that the river is a vagina. I am, needless to say, not a strict Freudian.)

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A Dangerous Method

January 29, 2012

David Cronenberg’s new film, A Dangerous Method, is about the founders of psychoanalysis. Carl Jung (Michael Fassbender) is asked to treat a young woman suffering from hysteria, Sabina Spielrein (Keira Knightley). Under his treatment, Speilrein starts to improve. She begins studying psychoanalysis. She eventually makes sexual advances on Jung, but he rejects her, partly because he feels it would violate his professional ethics, and partly because of his devotion to his wife, Emma (Sarah Gadon). At about this same time, Jung meets the founder of psychoanalysis, Sigmund Freud (Viggo Mortensen), who makes a strong impression on him. Freud persuades Jung to take as his patient, Otto Gross (Vincent Cassel), who is also a psychoanalyst and who advocates free love. After analyzing Gross, Jung decides to accept Speilrein’s advances. However, when Freud says that he has heard rumors that Jung is having an affair with one of his patients, Jung decides to end his relationship with Speilrein. The latter takes this badly. She eventually announces that she wants to study under Freud. This alarms Jung, who is afraid that Freud will find out about his unethical behavior.

The characters all come across as deeply flawed, and the film does not take sides. Overall, however, Jung seems more sympathetic than Freud. The latter comes across as rigid, narrow-minded, and domineering. In one scene he reveals his hand by saying that he wouldn’t discuss one of his dreams with Jung because he didn’t want to compromise his “authority”. There is also a complacency about Freud’s world-view. He tells Speilrein that “the world is what it is”, and that pyschoanalysts shouldn’t try to change it. Yet one cal also see why Freud eventually became disenchanted with Jung; the latter was fascinated with irrational ideas, such as a belief in telepathy. The revelation of his affair with Spielrein becomes the last straw.

One point this film makes is how psychoanalysis was rooted in nineteenth-century romanticism. Jung and Spielrein both admire the music of Richard Wagner. Spielrein finds inspiration in the story of Siegfried, which influences her ideas about psychology. (Themes from Wagner’s music are subtly interwoven into the soundtrack.)

The acting in A Dangerous Method is very good. I especially liked Mortensen’s performance as Freud. He subtly conveys the character’s arrogance and authoritarianism, without turning him into a caricature.

At the end of this film, we are told that Spielrein, who was Jewish, was murdered by the Nazis during World War II. This is a disturbing reminder that our lives are ultimately shaped by political and economic forces that psychoanalysis can do nothing to address.